DESCRIPTION: From high fantasy adventures to noir mysteries to superheroes and war stories , genre fiction has meticulously catalogued the narrow roles society expects men to occupy: strong, brave, and powerful, but also angry, competitive, emotionally repressed, and misogynistic. What does a character arc look like for the man who has decided not to be the best at performing this toxic vision of masculinity? We’ve seen many stories about women who struggle and triumph against gender roles. How can writers use social expectations of masculinity to create challenges that their male characters have to overcome to save the day?
Can healthy, well-balanced protagonists make for compelling reading? YES!!!!!
We would like to see aspects of T.M. addressed in literature in the upcoming year:
Lack of empathy
“We want people to live up to Apple’s P.R., not necessarily Apple’s actions in the world.”
Big tech companies are often not aware of, or don’t care about, even the first-order effects of their actions (e.g. externalities, be they environmental, cultural, economic, et al.)
Being proud of ignorance is a huge signifier of T.M. Distrust of expertise and education and intelligence
Dismantling T.M. is MEN’s PROBLEM. It’s not on women to do it for men.
This was quite eye-opening for me. I am aware of the existence of toxic masculinity in everyday life, and do what I can to expunge it from my personality and social interactions. Of course, as a guy, and as me being embedded in me, I am not always aware of how I am perceived by people outside of me. This panel was a good view into the various ways toxic masculinity can manifest. Of particular interest was that this panel happened right after an incident in another panel, which led to an attendee exhibiting stalker-ish behavior toward one of the panelists. T.M. in action. I expect I will add thoughts to this subject in future blog posts.
PANEL: How a Manuscript Become a Book (19 January 2018, 14:00)
PANEL DESCRIPTION: “‘I’m just an MS…sittin’ here on an editor’s desk…I hope and pray to be a book someday, but today I am just an MS!’ There’s plenty of information on the web about how to write and sell a manuscript , but the process after the deal is signed is often opaque to new writers. We’ll walk through the steps a manuscript typically goes through between deal day and launch day, and what authors can do to help the process go smoothly.”
I mostly attended this panel as a sanity check to see if the rest of the publishing world did things similarly to how I did them. Therefore, for me, this panels was more about affirming than learning. Everything discussed jibed with my experiences as publisher and editor at Caffeinated Press. The notes collected here are the “aha!” moments of the panel.
PANEL: The Care and Feeding of the Subject Expert (19 January 2018, 12:00)
PANEL DESCRIPTION: “Writing science fiction and fantasy requires a ton of research. Having the internet at our fingertips makes it easier than it used to be, but sometimes we need to ask an expert. Many folks are delighted to geek out about their specialties, but we still need to do due diligence, respect their time, and make sure we’re asking the right questions. How do you find qualified experts? Do you approach them with prepared questions? When is it ethical to pick someone’s brain for free, and when should you insist on compensating your expert?”
If the SME’s response to a question is “it’s complicated,” it is a good indication that this person is, in fact, an SME. A facile or immediate and simple answer is not necessarily a well-thought-out answer
People who are weary about a subject are more likely to be experts than are the people who are excited.
“Englishing” – turning a translated text into a “regular English” text – is a Paid Thing
I like the idea that subject matter experts may well be jaded about the subject in which they have expertise. It rings true. Not jaded in the sense that they find it boring; rather that the magic has become the mundane and they have integrated their knowledge into their lives and world-views. Being an expert in a subject doesn’t mean that you can simply recite dry facts.
* Some words: Dialogue. Monologue. Analog. Dialect. Lecture. Lector.
* After some years of using GoodReads, I am trying out LibraryThing as a way to catalog all of my books. I can’t say I prefer one to the other, but at first use the LibraryThing UI is easier for viewing large volumes of data. Thus I don’t need to build a custom app to do this for me. Plus plus, the LibraryThing Android App can scan barcodes, which VASTLY simplifies the cataloging process.
* [UPDATE] After a week of using LibraryThing, I can say this: LT is very good as a cataloging system. It lacks some of the “friendliness” of GoodReads, but that is not a criticism. LT also makes sorting, filtering, and categorizing extremely easy. I think I will end up using both in parallel – GoodReads for the more public-facing view of all things literary in my life, and LibraryThing for the catalog of my personal library. LT will also be useful for outputting data for any custom apps I might build down the road.
* I’ve been studying up on Baba Yaga and Russian history for a writing project. One of the odd bits of trivia I have uncovered is that there is a community of Old Believers in a tiny town in northern Minnesota. Old Believers — staroveri (старове́ры), formerly called raskolniki (раскольники), which has interesting connotations vis a visRaskolnikov from Crime and Punishment — have communities all over the world, with the primary U.S. populations being in Alaska, Oregon, and Pennsylvania. Funny, the way the pieces of a story come together.
* I have personal connections to New Orleans. My dad lived and worked there for many years, from the early 1980s until his passing in 2009. I attended Mardi Gras exactly once in all that time, in 2007. Unfortunately I did not get to experience the Krewe of Barkus, who are all Good Dogs.
* Since some people disagree that they are all Good Dog—and who has time or patience for that malarkey—it is sometimes necessary to clean house on Twitter. I have only recently begun to use Twitter as my primary social media outlet, as, though they are both objectively terrible, Facebook is worse. Barry Ritholtz, who I have been following for about a decade, has recently posted his strategy for dealing with trolls on Twitter. Time will tell if it is effective.
* Though I have subscribed to the RSS feed for a couple of years now, and I have been aware of its existence for somewhat longer, I have just now began listening to the Writing Excuses podcast, starting at Episode 1.1. My plan is to go through all of them in order and get caught up to present by the end of the year.
* And speaking of that trip, while in transit, while not watching America roll by, I read Trysting by Emmanuelle Pagano. It is an absolutely beautiful book, recalling all of love and beauty and intimacy and trust and heartache and the million tiny moments that bind people together and pull them apart. I just came across a wonderful review by Lauren Goldberg in Music & Literature which does justice to the most compelling book I have read in years. On a related note, I think I will now buy a subscription to Music & Literature.
* The 2018 State of the World conversation over at The Well has wrapped up. It, as well as the many previous conversations in the series, are well worth perusing over the upcoming weeks and months. A hearty thank you to Bruce Sterling, Jon Lebkowsky and all the other participants for opening this to the general public.
* Dean Allen, creator of the content management/blogging system Textpattern, has passed away. Allen was one of the biggest influences in my early career as a web developer. I took his thoughts on design and typography to heart, though I was never a designer. His photo blog featuring his Weimaraner Oliver made me want to move to rural France. Allen, along with Eric Meyer and Jeffrey Zeldman, were huge influences as I began my career in web development.
* Interesting thought experiment: Roko’s Basilisk. To wit, “The premise is that an all-powerful artificial intelligence from the future could retroactively punish those who did not help bring about its existence, including those who merely knew about the possible development of such a being.” See also: America in 2017.
* For the record, this is what happens when toxic masculinity, white privilege and tech-bro douchebaggery combine to create the perfect American asshole. James Damore is a waste of space, skin, time, attention and oxygen.
* I follow a few foreign (to me here in the USA) news and cultural feeds. The Calvert Journal recently ran this wonderful overview of pop music from Yugoslavia, circa 1960 – 1990. The Calvert Journal is a wonderful resource. In particular, their New East 100 is worth a few hours of browsing.
* For the record, here is my stance on Donald Trump: Trump is a racist. Trump is racist. This has been apparent to the entire rational world for decades. If you want to argue this point, I don’t need to provide you with examples of his racist behavior. The simple fact that you want to argue this point demonstrates that you have nothing useful to say.
I have just added a “Published Work” page to this blog. You can access it through the main menu. It’s kind of threadbare at the moment, but with a little luck I will have some publications to add by the end of the year.
Most of my published work at present consists of editorials written for The 3288 Review, and around three dozen interviews with contributors to The 3288 Review.
I will be speaking on two panels at ConFusion 2018! Here is my schedule:
TITLE: Poetry in Novels
DESCRIPTION: Carroll’s Alice in Wonderland and Through The Looking Glass include lengthy poems, placing them in a long tradition of long-form fiction that incorporates poetry into the work. How does writing poems for prose fiction differ from writing poems that stand alone? What distinct techniques does it require? Where do poems within stories exist in the landscape of genre poetry today?
PANELISTS: Amal El-Mohtar, Clif Flynt, Jeff Pryor, Josef Matulich, John Winkelman, Mari Ness
ROOM: Isle Royale
DAY/TIME: Sunday, January 21, 10:00 – 10:50 am
TITLE: Analogue Media in the Digital Age
DESCRIPTION: Paper, vinyl, and film, oh my! What are the unique advantages to analogue media, and what’s just a deeply ingrained sense of how media “should” be? Is it not a book without the paper smell, or a song without the soft crackle of a needle on vinyl?
PANELISTS: David Klecha, Gail Cross, John Winkelman
DAY/TIME: Sunday, January 21, 1:00 – 1:50 pm
I will, of course, vastly over-think and over-research these topics over the next ten days, and will therefore post my notes.