New Books and a New Subscription

Books acquired week of 2018.09.30

This was an excellent week for The Library at Winkelman Abbey. First up is the latest issue of Pulphouse Fiction Magazine, followed by the latest issue of Apex Magazine. Both of these are the results of successful Kickstarter campaigns. Next are the two latest books (Tentacle by Rita Indiana, Slip of a Fish by Amy Arnold) from my subscription to And Other Stories. On the top right is Ink by Sabrina Vourvoulias, from Rosarium Publishing.

The entire bottom row is my first shipment from Ugly Duckling Presse, to whom I subscribed back in July when I had a little extra money and no immediate household needs. From left to right they are Orange by Christine Herzer, Wolfman Librarian by Filip Marinovich, This Window Makes Me Feel by Robert Fitterman, Feeling Upon Arrival by Saretta Morgan, Defense of the Idol by Omar Cáceres, and Dear Angel of Death by Simone White. All are poetry, and all are beautiful editions of beautiful writing.

Once again, this week’s haul is made up entirely of books from independent publishers. Save for Ink, all are part of annual subscriptions. If Rosarium ever offers a subscription to their catalog, I will be the FIRST in line to purchase one.

Mount Tsundoku Grows Apace

Last week brought a small pile of books. On the left is Sunvault: Stories of Solarpunk and Eco-Speculation, which I picked up as research material for an upcoming anthology submission. The second, Scarborough, was recommended to me by my girlfriend, and on quick glance looks like it will be a fantastic, emotional read. Celadon is collection of poetry by my friend (and 3288 Review contributor!) Ian Haight. Checkpoint is the most recent arrival through my subscription to Restless Books.

Bonus note: all four of these are published by indie publishing houses!

One day I will be retired or otherwise unemployed, and on that day my pile of unread books will start to shrink. Or more likely, continue to grow at a slower pace.

A Small Pile of New Books

Another light week for new acquisitions, but what it lacks in quantity it more than makes up for in quality.

On the left is Paternus: Wrath of Gods by Dyrk Ashton. This is the sequel to the fantastic Paternus: Rise of Gods, which I finished back in the middle of summer.

On the right is American Fictionary by Dubravka Ugresic, the most recent delivery from Open Letter Books. I am now well into my third year of subscribing to Open Letter, and my only regret is that my reading time is so limited that I will likely never catch up with the ever-growing stack.

Links and Notes for the Week of September 9, 2018

Links and Notes for the Week of September 2, 2018

Links and Notes for the Week of August 26, 2018

Links and Notes for the Week of August 19, 2018

New Books This Week

Another fine week for reading. From top to bottom, they are: Fence, Patio, Blessed Virgin by Kristin Brace, The Cooking Gene by Michael W. Twitty, Kitchen Confidential by Anthony Bourdain, Narrator by Bragi Olaffson, Salvage issue #5, and Jacobin issue #30.

Kristin announced Fence, Patio, Blessed Virgin at a reading back in, I think, late April. This is her first book, and it is wonderful!

I picked up The Cooking Gene and Kitchen Confidential at the We Are Lit popup bookstore, which was set up in the Downtown Market in Grand Rapids. They are run entirely online, with occasional popups, and have an excellently curated selection of books.

Narrator came in as the most recent volume from my subscription to Open Letter Books.

Salvage is an interesting journal based in England, to which I subscribed on a whim. I discovered it during an afternoon of reading leftist fiction and researching different -punk subgenres. I came across a reference to “salvagepunk” and, upon further inquiry, this was one of the top results, with China Mieville’s name displayed prominently. I honestly never expected to receive any issues of this, but here it is, and it is a thing of beauty.

Receiving a new issue of Jacobin is always a pleasure. The writing is top-notch, the content important and interesting (particularly in the current pre-apocalyptic political climate), and the physical artifact is a thing of beauty.