Only one new acquisition for the first full week of November, but that one thing was actually three things – three chapbooks, to be precise, from Ugly Duckling Presse. The collection (the box for which is at the top of the photo) is called Ideas Have No Smell: Three Belgian Surrealist Booklets. The three are Transfigured Publicity by Paul Nougé, Abstractive Treatise on Obeuse by Paul Colinet, and For Balthazar by Louis Scutenaire.
I have to say, in the brief time that I have held a subscription to Ugly Duckling Presse they have been absolutely knocking it out of the park.
This past week was an excellent time to be a reader at the Winkelman Abbey. A fantastic variety of books and journals arrived throughout the week. The top row of this photo is ALL FIVE VOLUMES of the Apex Book of World SF, published by the excellent folks at Apex Publications.
The bottom row contains, from left, Resist Fascism from a Kickstarter campaign run by Bart Leib of Crossed Genres Publishing. Next to that is The Way North, an anthology of Upper Peninsula writing which I picked up when I ordered an upcoming volume of poetry by Jack Ridl, which I will undoubtedly post here when it arrives next spring. Third in is the latest issue of Apex Magazine by the same folks who created all of the books in the top row. On the right side of the bottom row is a recent issue of Sugar House, a lit journal which I picked up for research purposes as I plan my next round of poetry submissions.
All in all, excellent additions to my library.
Another week, another stack of books added to the Library of Winkelman. Starting at top left we have the most recent issues of Locus Magazine and Poetry Magazine. I picked them up at my employment alma mater Schuler Books and Music. At top right is a recent issue of StoneBoat Literary Journal, to which I have recently submitted some poetry. While they did not accept my work, I do very much appreciate theirs, so I will be submitting more poetry and fiction in the future.
The whole bottom row is the second shipment from my subscription to Ugly Duckling Presse. Fast on the heels of the first bundle which arrived only a couple of weeks ago, this one includes more poetry in translation as well some fiction and nonfiction. From left, the books are:
Diana Hamilton – God Was Right
Anna Vitale – Our Rimbaud Mask
Vasilik Gdenov – Alphabet for the Entrants
Artis Ostrups – Gestures
Zahara Patterson – Chronology
Lisa Rogal – Feed Me Weird Things
Alexis Almeida – I Have Never Been Able to Sing
It is safe to say that I am completely in love with Ugly Duckling Presse. Though their annual subscription is expensive, given the quality and variety of work they publish, I consider it absolutely worth the price.
Another week, another collection of new reading material. This post is exceptional for reasons I will get to in a moment, but first: the books. Starting at the upper left, is issue 7.1 of Storm Cellar Quarterly, which I picked up for research as a possible venue for submitting poetry. Next is Passing by Nella Larsen, published by Restless Books but not part of my subscription. Restless is doing some seriously good work in bringing forgotten and underrepresented voices into public awareness. Next is the easiness and the loneliness, poetry by Asta Olivia Nordenhof, from my subscription to Open Letter Books.
The bottom row is my reward for backing a Kickstarter campaign from Copper Canyon Press to publish Ursula Le Guin’s last collection of poetry, So Far So Good. Next to that is a broadside of her poem “July”, and on the right side is a special-edition reprint of one of Le Guin’s early collections, Wild Angels.
Le Guin didn’t come into my awareness as a poet until many years after I began reading her fiction, so when this Kickstarter appeared shortly after she passed away I jumped at the opportunity. Copper Canyon continually turns out superlative work and in this they have done justice to the final collection of a magnificent writer.
This was an excellent week for The Library at Winkelman Abbey. First up is the latest issue of Pulphouse Fiction Magazine, followed by the latest issue of Apex Magazine. Both of these are the results of successful Kickstarter campaigns. Next are the two latest books (Tentacle by Rita Indiana, Slip of a Fish by Amy Arnold) from my subscription to And Other Stories. On the top right is Ink by Sabrina Vourvoulias, from Rosarium Publishing.
The entire bottom row is my first shipment from Ugly Duckling Presse, to whom I subscribed back in July when I had a little extra money and no immediate household needs. From left to right they are Orange by Christine Herzer, Wolfman Librarian by Filip Marinovich, This Window Makes Me Feel by Robert Fitterman, Feeling Upon Arrival by Saretta Morgan, Defense of the Idol by Omar Cáceres, and Dear Angel of Death by Simone White. All are poetry, and all are beautiful editions of beautiful writing.
Once again, this week’s haul is made up entirely of books from independent publishers. Save for Ink, all are part of annual subscriptions. If Rosarium ever offers a subscription to their catalog, I will be the FIRST in line to purchase one.
Last week brought a small pile of books. On the left is Sunvault: Stories of Solarpunk and Eco-Speculation, which I picked up as research material for an upcoming anthology submission. The second, Scarborough, was recommended to me by my girlfriend, and on quick glance looks like it will be a fantastic, emotional read. Celadon is collection of poetry by my friend (and 3288 Review contributor!) Ian Haight. Checkpoint is the most recent arrival through my subscription to Restless Books.
Bonus note: all four of these are published by indie publishing houses!
One day I will be retired or otherwise unemployed, and on that day my pile of unread books will start to shrink. Or more likely, continue to grow at a slower pace.
Another fine week for reading. From top to bottom, they are: Fence, Patio, Blessed Virgin by Kristin Brace, The Cooking Gene by Michael W. Twitty, Kitchen Confidential by Anthony Bourdain, Narrator by Bragi Olaffson, Salvage issue #5, and Jacobin issue #30.
Kristin announced Fence, Patio, Blessed Virgin at a reading back in, I think, late April. This is her first book, and it is wonderful!
I picked up The Cooking Gene and Kitchen Confidential at the We Are Lit popup bookstore, which was set up in the Downtown Market in Grand Rapids. They are run entirely online, with occasional popups, and have an excellently curated selection of books.
Narrator came in as the most recent volume from my subscription to Open Letter Books.
Salvage is an interesting journal based in England, to which I subscribed on a whim. I discovered it during an afternoon of reading leftist fiction and researching different -punk subgenres. I came across a reference to “salvagepunk” and, upon further inquiry, this was one of the top results, with China Mieville’s name displayed prominently. I honestly never expected to receive any issues of this, but here it is, and it is a thing of beauty.
Receiving a new issue of Jacobin is always a pleasure. The writing is top-notch, the content important and interesting (particularly in the current pre-apocalyptic political climate), and the physical artifact is a thing of beauty.
This was a good week for books. From top to bottom: Selected Poems of Sergei Yesenin, Voronezh Notebooks by Osip Mandelstam, First Love and Other Stories by Ivan Turgenev, Selected Poems of Vladimir Mayakovsky, The Freeze-Frame Revolution by Peter Watts, Celadon by Ian Haight, Granta issue #144, Apex Magazine Issue 110, and Trail of Lightning by Rebecca Roanhorse.
For links to these authors, books and publishers, please see their listings on my 2018 Reading List page.
Thanks to a small gift card from work, I was able to pick up the four Russian authors from Amazon.com. They are unusual-enough titles that I didn’t want to burden the local bookstores with hunting them down. The Watts and Roanhorse books I ordered from Books and Mortar here in Grand Rapids, and I have ongoing subscriptions to the two journals. I picked up Ian Haight’s book at a small signing in Lowell this past Monday. It was great to finally meet Ian, after publishing him in Issue 1.3 of The 3288 Review, back in early 2016.
Since I just finished reading At the Existentialist Cafe by Sarah Bakewell and Paternus by Dyrk Ashton, Trail of Lightning is currently at the top of the to-read pile, and I can’t wait to dive in.
A small bonus from work allowed me to pick up a few books which have been on my want list for some time. Yeah, I have eclectic reading tastes. From top to bottom, they are: New Kind of Rebellion, by Rachel Gleason; The Black Tides of Heaven and The Red Threads of Fortune by JY Yang; Ambiguity Machines by Vandana Singh; Afrofuturism by Ytasha L. Womack; New Poets of Native Nations, edited by Heid E. Erdrich; and The Rise and Fall of D.O.D.O. by Neal Stephenson and Nicole Galland.
(These are my lightly edited notes for a panel I participated in at the ConFusion Fantasy and Science Fiction Convention in January of 2018)
THE PANEL: Poetry in Novels (21 January 2018, 10:00)
PANELISTS: Amal El-Mohtar, Clif Flynt, Jeff Pryor, John Winkelman, Mari Ness
DESCRIPTION: “Carroll’s Alice in Wonderland and Through The Looking Glass include lengthy poems, placing them in a long tradition of long-form fiction that incorporates poetry into the work. How does writing poems for prose fiction differ from writing poems that stand alone? What distinct techniques does it require? Where do poems within stories exist in the landscape of genre poetry today?”
- Poetry in novels
- Intrinsic to plot
- Books in verse
- Book-length poems
- See Also
- Book of poems
- Book length poem
- Novel in verse
- Epic Poetry
- Poetry can be time-shifted in relation to the story in which it appears
- In situ, as a bard or skald composes a poem based on events as they are happening
- Used to imply history/world-building for the setting. An epic poem is written between the time of the events which it recounts and the time in which it is read.
- The poem itself can be placed in a specific place in history based on written style or language or word usage.
- Poetry can be used for world-building, either experienced by the characters or as related by the narrator.
Boy, did I over-think this one–in part because I love poetry, and in part because Amal El-Mohtar was also on the panel and I wanted to bring my “A” game.