Not much to add to the stack at the Library of Winkelman Abbey this week. The latest issues of The Paris Review and Two Lines arrived a few days ago, but life has been so busy I have not even had time to look through their tables of contents.
For reading, I finished The Hammer by Brazilian poet Adelaide Ivánova. It was quite an experience. The poems deal with rape and assault and infidelity and rage; what Tom Waits would call “beautiful melodies telling me terrible things.” Highly recommended.
Right now I’m reading A Hero Born by Jin Yong. I won it a couple of months ago from a sweepstakes held at Tor.com. I have practiced martial arts for thirty years and seen scores of martial arts movies, but until now I have never read a wuxia novel. It’s great! Good characters, an interesting plot, and loads of great fight scenes.
I am also browsing through Andrés Neuman‘s book How to Travel Without Seeing, which I received in September 2016 as part of my subscription to Restless Books. This is a travel book of sorts. Neuman wrote it as a collection of sentence- to paragraph-sized vignettes describing scenes and moments in his travels throughout Central and South America.
I have read other books written like this – Trysting by Emmanualle Pagano (excerpt). Notes From a Bottle Found On the Beach at Carmel and Points for a Compass Rose by Evan S. Connell. I love this technique – collections of notes, distinct in themselves, which when assembled create a compelling narrative. And the writing is beautiful; each vignette could be a short poem; each chapter a lyric essay.
Now that Autumn approaches my reading time will be in short supply, with the deadline for the next issue of The 3288 Review arriving in October, and National Novel Writing Month in November.
As if I didn’t have enough on my plate already.
So there I was, waiting for the holiday to begin and SUDDENLY OUT OF NOWHERE* there appeared an ARC of Jin Yong’s A Hero Born. The publisher ran a sweepstakes thing a few weeks back and I entered, as one does, not expecting anything to come of it. This just proves that hope is real.
The other two books in the top row are the latest from Deep Vellum Publishing – a collection of the poetry of Johann Wolfgang von Goethe, and Blood Sisters, a newly-translated novel from South Korean writer Kim Yi-deum.
The bottom row consists of my rewards from a Kickstarter campaign I backed back in fall of 2018. Zombies Need Brains LLC publishes anthologies centered on various subjects and topics. Last year they announced Portals, Temporally Deactivated and Alternate Peace. I submitted a story to Portals, which was rejected, though it was a personalized rejection so I didn’t feel too bad about it.
ZNB just announced the themes for the 2019/2020 collections: Apocalyptic, Galactic Stew, and My Battery is Low and It’s Getting Dark. The submission window will open when the Kickstarter launches the first week of August. Keep an eye out, and warm up your pens!
In reading news, I had a great, relaxing few days over the Independence Day weekend and dove into some science fiction from Patrick Tomlinson – The Ark and Trident’s Forge, which I picked up (and got signed!) at ConFusion a couple of years ago. Now I am about a third of the way through Rebecca Roanhorse‘s Storm of Locusts, the sequel to her excellent Trail of Lightning.
To keep myself on task I have begin transcribing all of the poetry sitting unattended in my (over 25 years of) journals. A lot of it is already in Google Docs, but the exercise of re-writing it by hand is useful for seeing where the poems can be improved and also gives me a sense for how my style and sensibilities have changed over the decades.
And maybe I’ll submit something to somewhere sometime.
* actually delivered by a postal employee
A small but distinguished selection of reading material appeared at Winkelman Abbey this past week. From left, we have Cursed and Skull & Pestle, two anthologies from World Weaver Press. Third is the inaugural issue (!!!) of DreamForge Magazine. And finally, and most eagerly awaited, Terminal Uprising by Jim C. Hines.
A year ago this month I spent most of my free time putting together a story for Skull & Pestle. I completed about 90% of a first draft but realized that I would need to either burn a week of vacation days or break up with my girlfriend in order to complete and edit the story in time for the deadline. Therefore I shelved it. The story is good, I think, involving a colony of Old Believers, teen angst and bullying, the Midwest, and of course Baba Yaga. I may complete it at some point and see if there is still need for such stories.
But hey! Even if I didn’t submit my story to this anthology I still get to read the anthology, and that is a very good thing. And World Weaver Press consistently produces some top-quality anthologies.
In reading news, I finished The Blood-Tainted Winter by TL Greylock, and moved on to Death March by Phil Tucker. This was a much faster read and I had more time available for reading, so I completed it Friday night. Last night I started The Black God’s Drums by P. Djeli Clark. 25 pages in, and I am completely hooked! Of course it is a short novella so I will probably finish tonight or tomorrow. Then likely on to Terminal Uprising, though The Nine by Tracy Townsend is suddenly looming large in my attention, due it being discussed in the most recent episode (14.7, “How Weird is Too Weird?”) of the Writing Excuses podcast.
Currently goals: Structuring life so I have time to both read well and write well.
(These are my lightly edited notes for a panel I participated in at the ConFusion Fantasy and Science Fiction Convention in January of 2018)
THE PANEL: Poetry in Novels (21 January 2018, 10:00)
PANELISTS: Amal El-Mohtar, Clif Flynt, Jeff Pryor, John Winkelman, Mari Ness
DESCRIPTION: “Carroll’s Alice in Wonderland and Through The Looking Glass include lengthy poems, placing them in a long tradition of long-form fiction that incorporates poetry into the work. How does writing poems for prose fiction differ from writing poems that stand alone? What distinct techniques does it require? Where do poems within stories exist in the landscape of genre poetry today?”
- Poetry in novels
- Intrinsic to plot
- Books in verse
- Book-length poems
- See Also
- Book of poems
- Book length poem
- Novel in verse
- Epic Poetry
- Poetry can be time-shifted in relation to the story in which it appears
- In situ, as a bard or skald composes a poem based on events as they are happening
- Used to imply history/world-building for the setting. An epic poem is written between the time of the events which it recounts and the time in which it is read.
- The poem itself can be placed in a specific place in history based on written style or language or word usage.
- Poetry can be used for world-building, either experienced by the characters or as related by the narrator.
Boy, did I over-think this one–in part because I love poetry, and in part because Amal El-Mohtar was also on the panel and I wanted to bring my “A” game.
(These are my lightly edited notes for a panel I attended at the ConFusion Fantasy and Science Fiction Convention in January of 2018)
THE PANEL: A Novel Look at the Short Story (21 January 2018 14:00)
DESCRIPTION: “Short stories require a different approach to pacing, character, world-building, exposition, and plot than longer works. Let’s explore the tools we use to convey important information to the reader when we have a lot fewer words to do it with.”
PANELISTS: Scott H. Andrews, Amal El-Mohtar, Lucy Snyder, Jessi Cole Jackson
- Interests from the Audience
- Distilling vast research down to a coherent short story
- Contrast between short story structure vs. novel structure
- Writing short stories for specific markets vs. writing short stories, then searching for a venue
- How do you keep a short story short?
- Novel structure vs. short story structure
- Alan Moore’s Jerusalem
- 3-act structure, 5-act structure, etc
- PLOT DOES NOT JUST HAPPEN
- There is not 100% consensus over what a short story *should* be.
- The defining quality of a short story is that it is short
- Difficulty writing short stories of short story length can be mitigated by reading more short fiction, e.g. GET IN THE HABIT OF READING SHORT STORIES
- Jo Walton – defining element of a genre is PACE – Western page, romance pace, fantasy pace, etc.
- Lackington’s – really big on prose style, even over plot
- A truism about academic research – you should get three books out of the same research: your thesis, a monograph, and a popular book.
- Make words and phrases do double duty
- Make sure everything in a short story is load-bearing
- The Pink Institution by Selah Saterstrom – structure is linked (or not) short stories which make up a novel
My thoughts: I didn’t learn much that was new to me here. I did enjoy the conversation between the panelists, and I picked up a few new books for Mount Tsundoku.