Ecce Sigum

Over the past week I went through the lists on top40weekly.com and made a spreadsheet of all the songs which will populate the Bottom of the Top posts for the rest of the year. In doing so I discovered that I had miscounted in the 1977 list, and therefore 1977 was a week off from the other four years. I am not sure where this happened, but the issue has now been corrected thanks to the judicious application of SCIENCE!

Anyway, here are the songs for the 33rd week of the years 1977, 1982, 1987, 1992, and 1997.

1977: Heatwave, “Boogie Nights”

I love this one! I don’t have any specific memory of having heard it before now, and the ghost of a fragment of a memory of something like this is probably associated with a movie about the 1970s which included this song, or one very much like it, in the soundtrack. “Boogie Nights” is so very, very ’70s, and it is totally groovy.

1982: Ray Parker, Jr., “Let Me Go”

The summer between 7th and 8th grades is mostly lost to the mists of time, and any Ray Parker, Jr. songs I would have heard around that time were likely completely overwritten by “Ghostbusters,” which was released in 1984. But Mr. Parker has some serious chops and I do like this song.

1987: Natalie Cole, “Jump Start (My Heart)”

I was in the last week of my first summer at the Eaton Rapids pickle factory when “Jump Start” charted. Two weeks later I was at GVSC, enjoying nearly unlimited access to MTV, which is certainly where I would have heard this one, since I definitely didn’t hear it back on the farm. It’s catchy. I dig it.

1992: Rozilla, “Everybody’s Free (to Feel Good)”

This is a repeat from an earlier post, which demonstrates an odd inertia for songs which chart. They can linger.

1997: Rome, “Do You Like This”

This was the first time I heard “Do You Like This.” It’s good, but not particularly memorable. It did much better on the R&B charts than on the Hot 100, where it peaked at #31.

August kept up the momentum of July and we are fast approaching the end of summer, in intent if not in fact.

1977: Glen Campbell, “Sunflower”

“Sunflower” is a joyful, fun, catchy tune which I have no memory of having heard before. It is also the kind of song which an adult would have ill-advisedly sung to a tired or sulky child in order to break a bad mood, but which would instead have only made things worse.

1982: Marshall Crenshaw, “Someday, Someway”

I have heard this one before, but the muscle-memory of my mind is feeling more nineties than eighties, so I probably heard it on a TV show or as part of a movie soundtrack. “Someday, Someway” is fun and bouncy and feels like a throwback to the sixties. Which, considering that it was recorded as a take on Gene Vincent‘s “Lotta Lovin’” which was released in 1957, I guess that makes sense.

1987: Smokey Robinson, “One Heartbeat”

That combination of keyboard and saxophone is unmistakable. I would have been winding down my first summer at the godawful pickle factory and looking forward to my first break in seven years from milking cows on Sunday mornings. So I would have been emotionally receptive to the beautiful grooves of Smokey Robinson.

1992: U2, “Even Better Than the Real Thing”

This whole album was so damn big that I don’t remember when I first heard any one of the songs therefrom. Probably on MTV, considering MTV was still playing music videos back in 1992. Or while cleaning up the kitchen at Jose Babushka’s at the end of a shift.

1997: Mr. President, “Coco Jamboo”

Lessee…1997 I was still working at the bookstore, playing a lot of Vampire: The Masquerade and Dungeons and Dragons, and practicing martial arts for about 15 hours a week. So where would I have heard this song? Probably in my car, on the way to a Renaissance Faire. Or maybe on MTV, if I was lucky enough to be watching TV during one of the increasingly rare blocks in 1997 which had music videos. It’s a catchy tune and Judith “T-Seven” Hinkelmann has a helluva voice.

And suddenly, August arrives.

1977: The Isley Brothers, “Livin’ in the Life”

“Livin’ in the Life” is funky and groovy and fun, but this is the first time I have heard it.

1982: The Gap Band, “Early in the Morning”

Dang! This is an odd one. I distinctly remember the video, but have no memory at all of the song. Given its popularity I don’t see how I could not have heard it at some point. So along with all of the other odd coincidences and discoveries that this project has brought about, it has reacquainted me with the most excellent Gap Band.

1987: Whitney Houston, “Didn’t We Almost Have It All”

Ah, Whitney. You left us far too soon. In the summer of 1987 Whitney was huge and this song was everywhere. I have no specific temporal associations with “Didn’t We Almost Have it All,” because the song has received steady play for over thirty years. So it’s more a case of dividing my life into “pre-Whitney” and “mid-Whitney.” I say that because, even though Ms Houston died over a decade ago, her songs are still on heavy rotation so we are not yet close to “post-Whitney.” And that is a very good thing.

1992: Shabba Ranks, “Mr. Loverman”

“Mr. Loverman” is smooth and oh! so sexy, but I don’t think I heard it before now. Obviously, this means I wasn’t going to the right parties back in 1992.

1997: 98 Degrees, “Invisible Man”

98° was inescapable for much of the late 1990s and early 2000s, but I was listening to Tom Waits and various mixes of punk, folk,and world beat at the time, so I might have heard this, but it was not something I would have sought out. It is a decent enough song but nothing about it really stands out, beyond it being a decently good example of this style of music,.

As we approach the end of July the end of summer appears on the horizon and if, like me, you looked forward to a new school year starting, you feel a sense of anticipation (possibly leavened with some dread) as well as a sense that, well, summer just isn’t long enough to pack in all the things which make summer summer. Thus the end of July is a time of contrasts.

1977: The Floaters, “Float On”

“Float On” is smooth and groovy and oh, so seventies in both tune and lyrics. I probably heard this at some point in the past, but likely not when it came out, as the only radio stations which were played around our house at the time had taglines like “No punk, no funk, no junk,” which basically meant only (white) rock and country music.  This was the Floaters’ only hit song, which is unfortunate as they sing beautifully.

1982: Herb Alpert, “Route 101”

Ah, Herb Alpert. He and his band the Tijuana Brass were ubiquitous through the early parts of my life. I heard “Route 101” when it hit the charts, which would also have been about the time I started playing the trombone in junior high and listening to other artists like Chuck Mangione. I am a little irritated that I associate wonderful songs like this with distinctly unpleasant parts of my life like milking cows in the early morning, but at least down in the pit, covered in manure and either sweating or freezing, I had music like this to distract me.

1987: Danny Wilson, “Mary’s Prayer”

I definitely heard this song at some point, I just couldn’t say when and where. We couldn’t listen to music on the floor of the pickle factory, and it probably wouldn’t have gone over well with the inmates therein. Boy howdy, that was a terrible job.

1992: Rozalla, “Everybody’s Free (To Feel Good)”

I don’t know how I missed this one, back in the day. If I was more of a club-goer I would probably be more familiar with Rozalla, but then again this was the only one of her songs which made much of a splash in the US. She was much more popular in the UK and in her native Zimbabwe. I admit I am intrigued, and will definitely seek out more of her music.

1997: Warren G. featuring Ron Isley, “Smokin’ Me Out”

One of the best parts of this project is the way it is serving as a crash course/deep dive into R&B and Hiphop, two genres of music where I am woefully uninformed. I have heard of most of the artists in these lists (like Warren G.) but the songs, at the time (like “Smokin’ Me Out”), went right through me without leaving much of an impression. Which is unfortunate, because now that I am better about getting out of my own way, I really like the music.