Tag: COVID-19

  • Municipal Existentialism and Ricochet Kittens

    [I meant to post this yesterday, but kitten.]

    The lockdown and associated overabundance of attention are beginning to wear on Poe who, in response, is beginning to wear on the humans here at the Library of Winkelman Abbey.

    Fortunately for the non-felid cohort here, the books continue to accumulate. On the left is Stan’s Kitchen, a limited edition collection of short works from Kim Stanley Robinson, published by NESFA Press and distributed by Subterranean Press. I was lucky to get one of the very last ones, as after the run sold out (which, as far as I can tell, took about four hours) a few more were added and I was lucky enough to see the notice as soon as it was posted. Thus a new book!

    On the right is N.K. Jemisin’s new novel The City We Became, which is about the souls or anthropomorphic personifications of the great cities of the world. I’m about 120 pages in, and this book is magnificent!

    On a related note, I feel a sense of, I don’t know, call it kismet, or deja vu, or something of the kind, because during National Novel Writing Month in November 2017 I wrote the first draft of a novel I called Vicarious City, which was about the anthropomorphic personification, the genius loci, of Grand Rapids. And given when The City We Became was released, it is likely that Jemisin was writing her book when I was writing mine. I guess there was a particular energy in the air at the time.

    I love coincidences like this!

    My story was inspired by a few things – issue 51 of Neil Gaiman’s Sandman comic (“A Tale of Two Cities”) , Bruce Sterling’s novel Zeitgeist, Benedict Anderson’s book Imagined Communities, the character Map from the Hellblazer comic, the spirit from Paul Bowles’ short story “The Circular Valley” and the various genii loci from Roger Zelazny and Megan Lindholm’s novel Donnerjack. And in a larger and more subtle sense, this idea as presented by Alan Watts:

    Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence.

    Maybe my novel will see the light of day in some form, but in the meantime I am delighted to read Jemisin’s book. She has a presence, and an aesthetic, and a sense of empathy and justice which makes her work compelling and readable in the highest degree.

    In other reading news, I finished Ferret Steinmetz’s wonderful The Sol Majestic, and it makes me want to spend the day wandering a food-centric city in his company, talking about cuisines and words and the synchronicities which can be found therein.

    I will likely have another post sometime this week, regarding some writing news, but for now, time to prep for work.

  • The Marchest March that Ever Marched

    Well that was a hell of a month. Not much read, not much acquired.

    On the left is the new issue of Dreamforge, which tends to the hopeful and uplifting, which is much needed here in the Nth week of the quarantine. On the right is The Ides of Octember, A Pictorial Bibliography of Roger Zelazny. I picked this one up as a companion to the six-volume Collected Stories of Roger Zelazny. In the middle are the rewards from Dyrk Ashton‘s Kickstarter to release a hardcover version of his wonderful book Paternus: Rise of Gods. Dyrk is one of the first people I met once once I became a regular attendee at ConFusion. He is an excellent writer and a wonderful human being. He opened my eyes to the vast world of self publishing, which I admit I had not paid much attention to. The opportunities there are boundless.

    In reading, not much has happened lately. I am still working my way through Rita Indiana’s wonderful Tentacle. I also pulled Thomas Piketty‘s Capital in the Twenty-First Century and Sheldon Wolin‘s Democracy Incorporated off the shelf and am about a chapter into each. In particular I can only handle a little of the Wolin at a time, as I find myself beset by fits of rage about once a page.

    As for writing, I haven’t accomplished much since the early parts of March. Too many distraction and an increasing number of vicissitudes have kept that part of my brain too occupied and distracted to put anything meaningful on paper. In any event, once we come out the other side of the other side of the COVID-19 season, I expect the world, publishing and otherwise, will look much different than it did a month ago.

  • Quarantined, Pls. Send Books!

    Here at the end of the first week of our quarantine, two books made it over the wall, across the moat, and through the door of Library of Winkelman Abbey.

    On the left is the new issue of the Boston Review, and the first of my newly-acquired subscription. They publish some seriously good stuff, and I am looking forward to digging in to this issue. On the right is the latest from Two Lines Press/The Center for the Art of Translation, Lake Like a Mirror, by Ho Sok Fong, which is only the second book from Malaysia in my collection.

    I’ve been collecting works in translation for a while now. According to LibraryThing I have 197 books in translation, from 60 countries. The plurality, of course, come from Russia. At some point I may do a post about them, but for now, they serve to help alleviate the slowly growing feeling of isolation and cabin fever.

    Poe feels it too. This afternoon my partner and I went for a walk around the neighborhood just to give the cat some alone time. I think she appreciated it.